Nishabdh : Reviews from various hollywood celebs

All are eager to know public reviews and more eager to know about what all bollywood celebs saying on the much awaited movie of Bachchan Senior.

For a special directors' preview of 'Nishabd' last week, Abhishek was moved to tears.

Says Amitabh: 'That was a manifestation of a larger socio-cultural philosophy. In our society a woman is uprooted from her paternal home after marriage and put through this whole process of re-acclimatisation in what's known as a 'paraya ghar'. A lot of us don't understand how painful this uprooting process is for a woman. That evening Jaya was acknowledging that whole process.'

Regarding Abhishek's views on Nishabdh Amitabh says that He "feels my performance in 'Nishabd' is better than in 'Black'. Abhishek made an interesting observation. He said I had huge props in 'Black'. In 'Nishabd', I performed without props. Again, Abhishek is a hard customer to please.' ".

Director Ravi chopra was deeply moved.

People are surprised. They came expecting something else.

Now here is an abstract from IBNLive's Masand's Verdict

"ewcomer Jiah Khan plays an 18-year-old temptress who initiates and entices her classmate's 60-year-old father into a complex, inexplicable relationship while she’s staying with the family at their hill-station home one summer.

Amitabh Bachchan plays the man in question, who finds himself falling for this brash, spoilt teenager who's showering him with the kind of attention he hasn't experienced before.

Despite working off a script that borrows generously from the Drew Barrymore thriller Poison Ivy, Ram Gopal Varma makes it very clear he's back in form as he sinks his teeth into what is perhaps his first all-out emotional, character drama. Varma casts a mood of gloominess, a sense of impending doom all over this film, which is reminiscent of the manner in which he'd treated Bhoot.

What I like about Nishabd is Varma's conscious attempt to avoid clichés and stereotypes. The affair takes place not sneakily and surreptitiously, but right under the nose of Bachchan's wife and daughter who are just too naïve to read all the signs. When the affair is finally discovered, there's none of that typical filmi-style screaming and shouting, instead Varma treats the moment realistically using shock and silence to convey the sense of feeling betrayed.

Admirably, the director's decided not to spoon-feed his audience by explaining every character's every motivation. While it's more or less clear why Jiah falls for Bachchan, you are yourself expected to interpret his reason for responding to her affections.

It could be the thrill of physical intimacy to a nubile, young girl. It could stem from a sense of responsibility he feels towards her. It could be a momentary lapse of judgement on his part, or then the result of suppressed apathy he feels towards his frumpy wife. I suspect it's everything put together.

Because much of Nishabd is shot in real time - the entire second half to be specific - it does seem too long and too stretched out, especially since there isn't very much happening. But don't be fooled, that's exactly the mood Varma's going for. Remember, Nishabd is essentially about loneliness, and this leisurely pace that Varma creates for the film only contributes to that feeling of loneliness.

I suspect most people, women particularly are going to have a problem with the film's ending. As much as I'd like to elaborate, I won't because saying any more here will give away too much. I must confess I had a problem with the film's ending myself, but for another reason completely - I feel it's a cop-out. "